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The twists and turns that occur within the thick of things are where songs really take off, as elements elegantly alternate between the foreground and background. Despite the songsвЂ™ substantial vigor, they donвЂ™t build to obvious climaxes, and their intros and outros are often abrupt. The new batch of songs sound bigger and more urgent than their previous works, perhaps best exemplified by the bold, squiggling synths and immersive plug-and-chug sound of вЂњFissured Ceramics,вЂќ or the gnarled, euphoric guitar solo of вЂњPunk Product #4.вЂќ The album sounds immense at virtually any volume, with synth hums that simmer so vociferously and become so prominent at various points that the tracks sound like theyвЂ™re submerged in a sea of library music and videogame frequencies.

Now back with their first full-length Mandatory Enjoyment, Dummy continue to test their creative limits and pile on layers of polychromatic textures.

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And like any good noise-pop band, they know how to wield odd synth frequencies in a way that achieves both balance and intrigue. Despite their varied sounds, the songs bled into one another to satisfying effect, and Dummy seamlessly integrated soothing elements with raw, noisy adrenaline. Their debut centered on heady squalls of guitar feedback, but also offered detours into acoustic psych-folk (вЂњFolk SongвЂќ) and new age-y drone (вЂњTouch The ChimesвЂќ), and similarly, its follow-up impressed with both pop maximalism and ambient minimalism. Their music provokes similar sensations to StereolabвЂ™s pensive kraut-pop and BroadcastвЂ™s swirling psych-pop, and although it may be hard for some listeners to shake those comparisons, DummyвЂ™s forward-thinking approach and broad set of reference points largely prevent them from flying too close to those respective suns.Дummy released two EPs in 2020-their self-titled debut and subsequent EP2-which display their playfully unpredictable side and a familiar warmth. Over the past two years, Dummy have released reliably interesting drone-pop, marked by synths that fizz away as their guitars and percussion lock into stimulating pulses. But DummyвЂ™s noise-pop, ambient and new-age leanings are where they diverge from the classic New York City band. Los Angeles five-piece Dummy not only share the VelvetsвЂ™ well-crafted fusion of avant-garde and accessible sounds, but also their krautrock-like propulsion and rough-edged sonics. The Velvet Underground are an obvious example, employing drone, strange tunings and a smudged production style alongside tried-and-true pop conventions.

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However, itвЂ™s no secret that bands who successfully crack this code frequently stand the test of time. This means that any marriage of the two worlds requires a delicate balance.

Experimental music, on the other hand, often makes sonic choices that are antithetical to those same pleasure centers, utilizing challenging sounds or sequences that evade traditional pop structures to prompt new sensory experiences. Songs are arranged with a knowledge of how to trigger the brainвЂ™s pleasure centers, which in turn heightens the emotions of the lyrics. Pop musicвЂ™s truest essence is arguably its emotional immediacy.

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